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Announcement of the first lecture of the Archive for Architecture and Civil Engineering (saai) and the launch of the Egon Eiermann Digital Archive at the Karlsruhe Institute of Technology (KIT).

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Poster: DIN A2

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WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner, Roxy Zeiher, Valentina Tassalini and Tilman Kunkel.

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WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner and Roxy Zeiher.

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WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner and Roxy Zeiher.

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For the exhibition »CAPTIVATE! Fashion Photography from the ’90s« a 3D model of the show rooms in the Kunstpalast Düsseldorf was created. Together with the team of the Kunstpalast and a team around Claudia Schiffer in London, this model was the basis for planning the exhibition. Within the model the planners had the freedom to try out multiple placements of the exhibits and experiment with different wall and floor colorings as well as with the descriptions of the pieces on display. The model made possible the coordination of the exhibition remotely, following the travel restrictions during 2021. At the end of the design process the model functioned as a guide for the build and setup of the exhibitions furnishing.

\n\n\n\n

The linked 360-panorama-tour is for self-promotional purposes only. Image rights of the exhibits shown in the 360-panoramas belong to the artists and/or their representatives.

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Digital exhibition model, renderings, exhibition plans, wall systems

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The WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner and Roxy Zeiher.

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»Von unikal bis unlimitiert. Werte des Fotografischen« was a two day symposium organized by the Zentrum für Fotografie Essen wich is a merge of Folkwang Universität der Künste, Historisches Archiv Krupp, Museum Folkwang and Ruhr Museum.

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Flyer: 99x210mm, 4c, wrap folding

Poster: DIN A2

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Things Beside Themselves. Mimetic Existences was the concluding conference of the DFG/SNF research group Media and Mimesis which took place from 3rd to 5th of February 2020 in Weimar.

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The artwork was created in collaboration with Happy Little Accidents.

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Poster: DIN A2, 2c

Flyer: DIN A3 (folded A5), cross folding, 2c

Flyer: DIN A5, 8 pages, wrap folding, 2c

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The Centre for Documentary Architecture (CDA) is an interdisciplinary project that explores buildings as documents and built environments as archives in which history is inscribed. The CDA is composed of architects, filmmakers, artists, programmers, historians and theorists who conduct a number of collective and individual research projects in contested areas or historical periods where architecture could be used as a registry of political relations and transformations.

\n\n\n\n

Exhibition
In 2019 the CDA organized an exhibition about the migration history of so-called «Bauhaus Modernism» in relation to the logistics of exporting structural components and building materials from Germany to Palestine in the 1930s.

\n\n\n\n

For the exhibition the Max Liebling House in Tel Aviv was rebuilt into a 3D model, accessible on the CDA website. On a virtual tour of the house one can wander through the different rooms and delve into the findings of the CDA concerning information about building materials, inhabitants, ideas, migrations and influences. The model serves as a spacial database system that puts all these discoveries into perspective.

\n\n\n\n

At the exhibition itself multiple media types where used to convey information, such as a documentary video, a physical model of the house, a carpet that was dyed in the original colors of the paint used in the house and a working table, which gave additional information and allowed visitors to explore different materials, models and photographs of the building.

\n\n\n\n

Find detailed information about the exhibition here.

\n\n\n\n

Bauhaus-Museum, Weimar, 27.9.–3.11.19
Max Liebling House, Tel Aviv, 19.9.19–1.4.20
Satellit Galerie, Berlin, 30.1.–29.2.20

\n\n\n\n

As part of the design team at CDA, I worked together with Leon Lukas Plum and Moritz Ebeling. We created the identity and the website for the exhibition and the CDA itself. My part of the work was focussed on printed matter in the exhibition and the Interface of the 3D world on wich I worked together with programmer and 3D enthusiast René Weiser.

\n\n\n\n

Credits
Weimar: Centre for Documentary Architecture, Photos: Heidi Gumpert
Berlin: Centre for Documentary Architecture, Photos: Ortrun Bargholz

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Poster: DIN A1, 4c

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TThe WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture. For Issue 4 I worked on different editorials, an interview with musician Nilüfer Yanya and an article about the founder of the Pop Trading Company.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner.

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Magazine: 210x280mm, 4c Offset-Print + spot colors

Edition of 10.000

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The WIP Magazine is a biannually released periodical featuring articles and editorials about art, fashion, music, skateboarding and urban culture.
For Issue 3 I worked on an article about techno legend Juan Atkins and an Interview with Nick Hayes who builds skateparks in Australia’s Northern Territory.

\n\n\n\n

The layout was realized in collaboration with Jan Ziegner.

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500w,https://api.robinweissenborn.de/wp-content/uploads/2020/09/2019-wip-magazine-3-1-1000x667.jpg 1000w,https://api.robinweissenborn.de/wp-content/uploads/2020/09/2019-wip-magazine-3-1-2000x1334.jpg 2000w,https://api.robinweissenborn.de/wp-content/uploads/2020/09/2019-wip-magazine-3-1-3000x2000.jpg 3000w","sizes":"(max-width: 500px) 500px,(max-width: 1000px) 1000px,(max-width: 2000px) 2000px,(max-width: 3000px) 3000px"},"year":2019,"projectInfo":"

Magazine: 210x280mm, 4c Offset-Print + spot colors

Edition of 10.000

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This teaser was part of the announcement for the fourth album Ströme by Martin Kohlstedt in collaboration with the GewandhausChor Leipzig. It showcases the title KSYCHA in a typographical way, underlined with images from the cover artwork.

\n\n\n\n

The piece was released on the 8th of March and the complete album on the 17th of November 2019.

\n\n\n\n

The artwork was produced in collaboration with Happy Little Accidents

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Animation: 1:00, 1920x1080px

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This video visualizes Martin Kohlstedt’s third record Strom. The artist describes his nine piece album as a stream of ruthless moments exposing the piano to the elements.
The album was released in 2017.

\n\n\n\n

The artwork was produced in collaboration with Happy Little Accidents

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Animation: 48:34, 1920x1080px

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A CAPTCHA (/kæp.tʃə/, a contrived acronym for Completely Automated Public Turing test to tell Computers and Humans Apart) is a type of challenge–response test used in computing to determine whether or not the user is human. (Extract from the Wikipedia article on Captcha) The test is often used to check by whom entries have been made in Internet forms, since robots are often misused here.

\n\n\n\n

Captchat is a made up messaging app. It offers the possibility, with the help of image manipulation, to alienate messages in such a way that they can no longer be read by robots. Instead of easily readable texts the app only sends captchas.

\n\n\n\n

This video was created as part of the summer semester project Private Conversation in the Typography class under the direction of Christoph Knoth and Konrad Renner at the Bauhaus-Universität Weimar in 2016.

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Video: 2:30, 1920x1080px

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This project started as a workshop in the course Group Identities under the direction of Enver Hadzijaj at the department for graphic design at Bauhaus-Universität Weimar in the winter semester of 2015/16.

\n\n\n\n

The assignment for this three-day workshop was to design and furnish a fictional hotel called «Château Disgrace». The Design or Interior was supposed to convey the themes of forgetting, remembering, and reconstructing. In a team with Jakob Tress and Samuel Solazzo, we decided to create a distorted mirror as part of the interior of the fictional hotel. The design shows the mirror itself and its reflections. The photos were shot in the studio of the Space for Visual Research.

\n\n\n\n

In 2018 this work was curated to become part of the second edition of the book «Space for Visual Research». As our two-day photo shoot didn’t yield a sufficient selection, we decided to conduct a second photo shoot to broaden our choice for the final design.

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The Spotmap tries to give an overview of skateboarding-spots in Weimar. It consists out of a small handbook wich lists up 56 skate-spots with a small image and special information like the condition of the ground or the bust-factor of a spot. The attached map helps you to find the spots in the city.

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Book: 90x132mm, 2c Offset-Print

Map: 336x504mm, 2c Offset-Print

Section sewn binding, with magnetic catch

Edition of 250

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Projektil is a lecture series founded by students of Visual Communication at the Bauhaus-Universtität Weimar in 2007. Due to a lack of professors in the graphic design department back then, a group of students organized a series of workshops and lectures held during the semester, continuing ever since.

\n\n\n\n

In 2016 Anne Marx, Taissa Fromme, Samuel Solazzo, Moritz Ebeling and I organized Projektil as a three day festival. In addition to a workshop in analogue silk-screen-printing and a workshop in videomapping, the festival consisted of lectures by Julian Zimmermann, Simon Landrein, Viktoria Binschtok, Jakob Kirch, Harm van den Dorpel and Schick Toikka.

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Posters: DIN A1, 4c Offset-Print

Animations: 0:30 to 0:35 each, 1920x1080px

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Vita II is the second of three Snippets to announce and promote the album Regenmacher by rapper Megaloh. The approach for the small snippet was to showcase the lyrics of the song Geradeaus in a typographical way.The album was released in March 2016.

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Animation: 1:09, 1920x1080px

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The assignment of this course was to choose one out of two briefings – either a local museum of modern arts (Kunsthaus Apolda Avantgarde) or a publishing house for liberal arts (VDG Verlag Weimar) – and to develop a corporate identity for them. The premise in this course was to think outside the frame of static logo design and to develop a dynamic system with a range of visual elements that result in a variable but coherent identity.

\n\n\n\n

I worked together with Anne Marx on the identity for the publishing house VDG Verlag Weimar. The first job was to design a logo system that frames VDG and its associate publishing house named BUW Verlag Weimar. We created a simple system which was inspired by folders in operating systems.

\n\n\n\n

The second task was to create a system to frame the different book series of both publishing houses. We used the names of the publishing house, the book series and the book titles to generate colors which gave every book its individual cover design.

\n\n\n\n

Read about the complete process and system here.

\n\n\n\n

This video was created as part of the winter semester course Dynamic Identites in the Bild/Text/Konzeption class under the direction of Tobias Dahl and Patrick Martin at the Bauhaus-Universität Weimar in 2015.

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Posters and animations for the architectural lecture series Horizonte at Bauhaus-Universität Weimar. Each poster announces the upcoming lecture or event. The animations were used as teasers in social media and on the presentation screen before the lectures.

\n\n\n\n

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As part of the turingian week, which took place from August 31st to September 6th in the German Pavillon at the EXPO Milano 2015, the team of Mathias Schmitt, Micha Ott (Schmott) and Markus Weisbeck curated the exhibition Das Bauhaus. Dalla Turingia., which showed contemporary bauhaus positions in art and design.

\n\n\n\n

Find more information about the exhibition as well as all exhibited artists here.

\n\n\n\n

Photo of the wall design by Schmott

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Bauhaus Masters is a lecture series by the Professorship for Graphic Design at Bauhaus-Universität Weimar.

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